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György Kurtág
About this composer
“György Kurtág (Hungarian: [ˈɟørɟ ˈkurtaːɡ]; born 19 February 1926) is a Hungarian composer of contemporary classical music and pianist. According to Grove Music Online, his style draws on "Bartók, Webern and, to a lesser extent, Stravinsky", and "his work is characterized by compression in scale and forces, and by a particular immediacy of expression". In 2023 he was described as "one of the last living links to the defining postwar composers of the European avant-garde". Kurtág was an academic teacher of piano at the Franz Liszt Academy of Music from 1967, later also of chamber music, and taught until 1993.”
Source: Wikipedia · CC BY-SA 4.0
Thu
5
Nov
Muziek als speelgoed, geheime boodschap of als missie om het volgende level te bereiken
Muziekgebouw aan 't IJ, Amsterdam|13:30
Selections from Játékok
Tue
15
Dec
Close-up Concertgebouworkest: All'ungherese
Het Concertgebouw, Amsterdam|20:15
Twelve Microludes, Op. 13
Wed
19
May
Kurtág 101
Musis & Stadstheater, Arnhem|20:00
Waltz 1; Waltz 1; Prelude and Valse in C; Waltz (Hommage à Shostakovich); Splinters, Op. 6/d; Kafka Fragments
Other
Officium breve in memoriam Andreae Szervánzky, Op. 28
Waltz 1
Selections from Játékok
Prelude and Valse in C
Waltz (Hommage à Shostakovich)
Splinters, Op. 6/d
aus „Signs, Games and Messages“ für Violine Solo: „ Für den, der heimlich lauschet…" (Hommage à Ivan Nagel 70), Hommage à J.S.B. Calmo, scorrevole & „Calmo, sognando" (Stefan Romascanu in memoriam)
Kafka Fragments
Márta's Ligature (from Games)
Twelve Microludes, Op. 13
...quasi una fantasia... Op. 27 No. 1
Homage to R. Sch. for Clarinet, Viola, and Piano, Op. 15d
Stele, Op. 33
Hand in Hand (Homage to Sárközy) for Two Pianos (from Játékok)
Three Pieces for Violin and Piano, Op. 14e
Evocation of Petrushka
Hommage à Georg Kröll 70
Sirens of the Deluge – Waiting for Noah
Farewells – in Janáček's Manner
Doina
Face to Face
Chorale for Benjamin Rajeczky's 80th Birthday
György Kurtág per stad