Romantique
Franz Liszt
1811 – 1886
À propos de ce compositeur
“Franz Liszt was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.”
Source: Wikipedia · CC BY-SA 4.0
jeu
26
nov
Orgelkonzert
Konzerthaus Dortmund, Dortmund|19:30
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
ven
4
déc
C. Bechstein Klavierabend
Konzerthaus Berlin, Berlin|19:00
Les Préludes, S.97
ven
15
janv
Sternzeichen –Die Düsseldorfer Symphoniker im Konzert
Tonhalle Düsseldorf, Düsseldorf|20:00
Piano Concerto no. 1 in E flat major, S.124
dim
17
janv
Brahms
Tonhalle Düsseldorf, Düsseldorf|20:00
Piano Concerto no. 1 in E flat major, S.124
lun
18
janv
Brahms
Tonhalle Düsseldorf, Düsseldorf|20:00
Piano Concerto no. 1 in E flat major, S.124
jeu
4
févr
WILLIAM YOUN Klavierwerke von Schubert, Hahn, Liszt und anderen
Pierre Boulez Saal, Berlin|19:30
Piano Sonata in B minor, S.178
dim
14
févr
Lieder- / Arienabend
Konzerthaus Dortmund, Dortmund|18:00
3 Songs from William Tell, S.292
ven
12
mars
Konzert für sieben Blasinstrumente, Pauken, Schlagzeug und Streichorchester
Isarphilharmonie, München|19:30
Faust Symphony in three character pictures for tenor, male chorus, and orchestra
sam
13
mars
Konzert für sieben Blasinstrumente, Pauken, Schlagzeug und Streichorchester
Isarphilharmonie, München|19:00
Faust Symphony in three character pictures for tenor, male chorus, and orchestra
dim
14
mars
Orgelmatinee mit Alma Bettencourt
Berliner Philharmonie, Berlin|11:00
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
mar
30
mars
JEEYOUNG LIM & JONATHAN WARE Lieder von Mahler, Ives und Liszt
Pierre Boulez Saal, Berlin|19:30
Comment, Disaient-ils, S.276; Freudvoll und Leidvoll, S.280; J'ai perdu ma force et ma vie, S.327, "Tristesse"; Lasst mich ruhen, S.317; 3 Sonetti di Petrarca, S.270; Oh! When I Sleep
dim
11
avr
Klavierabend Georgijs Osokins
Konzerthaus Dortmund, Dortmund|18:00
Dante Sonata
mar
13
avr
Symphoniekonzert VI
Staatsoper Unter den Linden, Berlin|19:00
Les Préludes, S.97; Festklänge, symphonic poem for piano, S.511d
mer
14
avr
Symphoniekonzert VI
Berliner Philharmonie, Berlin|20:00
Les Préludes, S.97; Festklänge, symphonic poem for piano, S.511d
ven
30
avr
C. Bechstein Klavierabend
Konzerthaus Berlin, Berlin|19:00
4 Valses oubliées, S.215, R.37
dim
13
juin
Staatsoper für alle - Open-Air-Konzert
Bebelplatz, Berlin
Festklänge, symphonic poem for piano, S.511d
Orchestral
6 Hungarian Rhapsodies, S.359
Concerto pathéthique, S.367
Concerto pathéthique in E minor, S.365b
Concerto pathétique
De Profundis, Psaume Instrumental, S.121a
Die Ideale, S.106
Festklänge, S.101
Festklänge, S.101, R.418
Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
Festmarsch zur Goethe Jubilaumsfeier, S.115
Hamlet, S.104, R.421
Hungaria, S.103, R.420
Héroïde funèbre, S.102
Hungarian Fantasy, S.123
Hungarian Battle March, S.119
Hunnenschlacht, S.105
Les Preludes, S97/R414
Malédiction, for piano and string orchestra, S.121
Mephisto Waltz no. 2, S.111
Piano Concerto no. 2 in A major, S.125
Prometheus, S.99
Rákóczi-Marsch, S.117
Symphony to Dante's Divina Commedia, S.109, R.426
Von der Wiege bis zum Grabe, S.107, R.424
Totentanz, S.126, R.457
Tasso: Lamento e Trionfo, S.96
Mazeppa, S.100
3 Odes funèbres, S.112
2 Episodes from Lenau's Faust, S.110
Piano Concerto no. 1 in E flat major, S.124
Faust Symphony, S.108, R.425
Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
Piano Concerto no. 3 in E flat major, S.125a
Les Préludes, S.97
Orpheus, S.98
Vocal
3 Songs from William Tell, S.292
A magyarok Istene, for chorus, S339/R635
An die Kunstler, for chorus, S70/R540
Anfangs wollt' ich fast verzagen, S.311
Angiolin del biondo crin, S.269
Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
Ave Maria, for soloist and organ, S.681
Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
Ave Maris Stella in D major, for voice and piano, S.680
Ave verum corpus, for chorus and organ ad lib, S.44
Bist du
Blume und Duft, S.324
Die drei Zigeuner, S.320
Die Lorelei, S.273
Comment, Disaient-ils, S.276
Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
Christus for soloists, chorus, orchestra and organ, S.3, R.478
Oratorio
Christus ist geboren, for chorus and organ
Der du Von dem Himmel Bist, S.279
Der König von Thule, S.278
Des Tages laute Stimmen schweigen, S.337
Die Fischertochter, S.325
Die Seligkeiten
Die stille Wasserrose, S.321
Die tote Nachtigall, S.291
Die Vätergruft, S.281
Die Zelle in Nonnenwerth, S.274
Du Bist wie Eine Blume, S.287
Einst
Einst, S.332
Freudvoll und Leidvoll, S.280
Es rauschen die Winde, S.294
Es war einmal ein König, for soloist, male chorus and piano, S.73
Gastibelza S.286
Gestorben war ich S.308
Go not, happy day, S.335
Gottes ist der Orient II, for male chorus, S.90/12
Hohe Liebe
Im Rhein, im schönen Strome, S.272
J'ai perdu ma force et ma vie, S.327, "Tristesse"
Lasst mich ruhen, S.317
Hungarian Coronation Mass, S.11
Ich liebe dich, S.315
Ich scheide, S.319
Ihr Auge
Ihr glocken von Marling, S.328
Il m'aimait tant, S.271
In Liebeslust S.318
Isten veled!, S.299
Jeanne d'Arc au Bûcher, S.293
Jugendglück, S.323
Kling leise, mein Lied, S.301
La perla, S.326
La tombe et la rose, S.285
Le juif errant, S.300
Le Vieux Vagabond S.304
Licht, mehr Licht, for chorus, S84/R554
Magyar kiraly-dal, for chorus, S93/R563
Mariengarten, for chorus, S62/R512
Mignons Lied, S.275, "Kennst du das Land"
Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
Missa solemnis zur Einweihung der Basilika in Gran, S.9
Morgens steh' ich auf und frage, S.290
Muttergottes-Sträusslein, S.316
Song cycle
Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
Oh! pourquoi donc, S.301a
O Roma Nobilis, for chorus and keyboard, S.54
O salutaris hostia II, for chorus, S.43
Pater Noster III in F S. 41/1
Pater Noster I in A flat major, for chorus and organ, S.29
Pro papa
Psalm 18, Coeli enarrant gloriam Dei
Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
Psalm 129, De profundis
Psalm 129, De profundis, S.16i
Qui seminant in lacrimis, for chorus and organ, S.63
S'il est un charmant gazon, S.284
Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
Requiem
Rosario, for soloist, chorus and organ
Salve Regina, for chorus, S.66
Septem Sacramenta, S.52
Über allen gipfeln ist Ruh', S.306
Und wir dachten der Toten
Verlassen, S.336
Wartburg Lieder, S.345
Was Liebe sei?, S.288
Wer nie sein Brot mit Tranen ass, S.297
Wieder möcht ich dir begegnen, S.322
Wo weilt er?, S.295
Enfant, si J'étais Roi, S.283
Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2
Oratorio
Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
Der Herr bewährt die Seelen seiner Heiligen
Domine salvum fac regem, for chorus, S23/R504
Ave Maria, for chorus and organ, S.20/2
Es muss ein Wunderbares sein, S.314
Ave Maria in G major, for voice and piano in G major, S.341
Gebet, S.331
Wie singt die Lerche schön, S.312
Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
3 Sonetti di Petrarca, S.270
Keyboard
3 Concert Etudes, S.144, R.5
19 Hungarian Rhapsodies, S.244, R.106
2 Concert Etudes, S.145, R.6
2 Czardas, for piano, S225/R45
2 Episodes of Lenaus Faust, for piano 4-hands, S.599
2 Légendes, S.175, R.17
2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
2 Polonaises, S.223, R.44
2 Romanceros espagnol, S.695c
3 Apparitions, S.155
3 Funeral Odes, S.516
3 Lieder aus Julius Wolffs Tannhäuser, S.498
3 Morceaux suisses
3 Odes funèbres, S.517
3 Schubert Marches, for piano, S426/R251
3 Songs, S.485, R.150
4 Consolations, for organ
4 Geistliche Lieder, S.562, R.247
4 Vier Kleine Klavierstücke, S.192
5 Hungarian Folk Songs, S.245, R.108
6 Melodies of Franz Schubert, S.563
6 Müllerlieder, S.565, R.249
10 Lieder, S.569
12 Etudes pour le piano-forte, S.136, R.1
12 Grandes Etudes, S.137, R.2a
12 Lieder, S.558, R.243
12 Lieder von Robert Franz, S.489
12 Soirées Musicales, S.424, R.236
25 Bunte Reihe, S.484
6 Organ Preludes and Fugues, S.462, R.119
6 Polish Songs, S.480, R.145
6 Soirées italiennes, S.411
7 Songs, S.547, R.217
7 Variations brillantes sur un theme de Rossini, S.149, R.148
8 Préludes et Harmonies poétiques et religieuses, S.171d
Ab irato, S.143, "The Perfect Etude"
Abschied, S.251
Adelaïde, S.466
Adélaide
Album-Leaf: Consolation no. 1, S.171b
Album d'un voyager, S.156
Alleluia et Ave Maria, S.183
A magyarok Istene, S.543
A magyarok Istene, S 674
Am Grabe Richard Wagners, S.202
Am Grabe Richard Wagners, S.267
Andante finale and March, S.421, R.233
Andante religioso, S.261a
Angelus! Prière aux anges gardiens, for harmonium, S.672c
Aus Lohengrin, S.446
Ave Maria, S.545
Ave Maria, S.659, R.401
Ave Maria, S.674b
Ave Maria: Die Glocken von Rom, S.182
Ave Maria in D flat major, S.504/2
Ave Maria von Arcadelt, S.659
Ave maris stella, S.506
Bagatelle without Tonality, S.216a, R.60c
Ballade, for piano no. 2 in B minor, S.170a
Ballade, for piano no. 2 in B minor, S.171
Ballade no. 1, S.170, "Le Chant du Croise"
Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
Berceuse, S.174
Buch der Lieder, S.531, R.209
Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
Christus ist geboren: Nato e Cristo Redentor, S.502
Concert Paraphrase of 'Ernani', S.432
Concert Paraphrase of 'Rigoletto', S.434, R.267
Consolations Nos. 3-6, S.672d
Csardas obstine, for piano, S618/R300
Csárdás macabre, S.224, R.46
Dance macabre, S.555, R.240
Dante Symphony, for 2 pianos S.648
Dem Andenken Petofis, S.195, R111
Der Asra, S.554/2, R.239/2
Der Gondelfahrer, S.559
Die Forelle, S.564
Die Ideale, S.646
Die Lorelei, S. 532
Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
Die Rose, S.556, R.241
Die Trauer-Gondel, S.199a, no. 1
Don Carlos: Coro di festa e Marcia funebre, S.435
Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
Elegie no. 1, S.196
En rêve, S.207, R.87
Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
Fantasia on themes from 'Der Freischütz, S.451, R.284
Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
Fantasie über Motive aus Figaro und Don Juan, S.697
Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
Fantasy and Fugue on the Theme B-A-C-H, S.529
Fantasy on motives from the opera 'La sonnambula', S.393, R.192
Fantasy sur l'opéra hongroise Szép Ilonka, S.417
Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
Festklänge, S.641
Festvorspiel
Feuille d'Album no. 1 in E major, S.164
Feuilles d'album in A flat major, S.165
Frühlingsnacht, S.568
Galop de bal, S.220, R.42
Galop in A minor, S218/R40
Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
Grandes Etudes de Paganini, S141/R3b
Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
Grand fantasia de bravoure sur 'La clochette', S.420, R.231
Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
Grand galop chromatique, S.219
Grand Paganini Étude, S.141
Grand Septet, S.465, R.127
Gretchen: 2.Satz aus der Faust-Symphony, S.513
Grosses Konzertsolo, S.176, R.18
Hamlet, S.644
Hexameron, S.392, R.131
Historiche ungarische, S.205, R.112
Héroïde funèbre, S.642
Hungaria, S.643
Hungaria, symphonic poem for piano, S.511e
Hunnenschlacht, S.645
Illustrations du 'Prophète', S.414, R.222
Impromptu in F sharp major, S.191
In Dominum Domini Ibimus, prelude, S.671
In festo transfigurationis Domini nostri Jesu Christi, S.188
Introitus, S.268/1
Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
L'hymne du pape, S.530
La lugubre gondola, S.200
La Notte, S.602
Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
Les Préludes, S.637
Litanei, S.562/1
Lob der Tränen, S.557
Marche et Cavatine de Lucia de Lammermoor, S. 398
Marche funèbre de 'Dom Sebastien', S.402, R.156
Mazeppa, S.640
Mazeppa I, S.138
Mephisto Polka, S.217, R.39
Mephisto Waltz no. 2, S.515
Orpheus, symphonic poem, S.511b
Mephisto Waltz no. 3, S.216, R.38
Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
Mephisto Waltz no. 4, S.696
Miserere du Trovatore, S.433
Missa pro organo, S.264
Mosonyis Grabgeleit, S.194
Nuages gris, S.199
Nun danket alle Gott, S.674c
O! Wenn es doch immer so bliebe, S.554, R.239
Ora pro nobis, litany, S.262
Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
O Roma Nobilis, S.456a
O Roma Nobilis, S.669c
Orpheus, S.638
Orpheus, symphonic poem, S.672a
O sacrum convivium, S.674a
Overture to 'Tannhäuser', S.442, R.275
Overture to 'William Tell', S.552, R.237
Paganini Caprices, S.140, R.3a
Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
Phantasiestück über Motive aus Rienzi, S.439
Piano Concerto no. 2 in A major, for 2 pianos, S.651
Piano Piece in A flat major, S189a/R44a
Polonaise brillante, op. 72, S.455, R.460
Polonaise from 'Eugene Onegin', S.429, R.262
Prelude a la polka de Borodine, S.207a
Prelude and Fugue on the motive B-A-C-H, S.260ii
Preludio per Il Cantico del Sol di San Francesco, S.665
Prometheus, S.639
Regina coeli laetare, S.663
Requiem, S.266
Resignazione, S.187
Resignazione, S.263/187a
Revive Szegedin, S.572, R.260
Romance in E minor, S.169
Romance oubliée
Romance oubliée, S.527, R.66b
Rosario, 3 works, S.670
Russian Galop, S.478, R.143
Rákóczi-Marsch, for 2 pianos, S.652a
Réminiscences de 'Lucia di Lammermoor', S.397
Réminiscences de 'Lucrezia Borgia', S.400, R.154
Réminiscences de 'Simone Boccanegra', S.438, R.271
Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
Sacred Dance and Final Duet from 'Aida', S.436
Salve Maria de Jérusalem, S.431
Sancta Dorothea, S.187
Sancta Dorothea, S.187, R.73
Scherzo and March, S.177
Scherzo in G minor, S.153
Scherzo und Marsch, S177/R20
Schlaflos, Frage und Antwort, nocturne, S.203
Schwanengesang, S.560, R.245
Slavimo, slavni, Slaveni!, S.668
Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
Spinnerlied aus Der Fliegenden Holländer, S.440
Spirto gentil, from 'La favorite', S.400a
Sposalizio I, S.157a
Stabat Mater, S.579/3
Symphonie fantastique, S.470
Symphony no. 1 in C, S.464/1
Symphony no. 2 in D, S.464/2
Symphony no. 3 in E flat major, S.464/3
Symphony no. 4 in B flat major, S.464/4
Symphony no. 5 in C minor, S.464/5
Symphony no. 6 in F, S.464/6
Symphony no. 7 in A, S.464/7
Symphony no. 8 in F, S.464/8
Symphony no. 9 in D minor, S.464/9
Szózat and Hungarian Hymn, S.486, R.158
Tannhauser: Pilgrim's Chorus, S.443
Tarantelle, S.482
Valse impromptu, S.213, R.36
Variationen über das Motiv von Bach: Weinen, Klagen, S.673
Transcendental Etudes, S.139, R.2b
Tarentelle, S.483, R148
Toccata, S.197a, R.60
Totentanz
Totentanz, S.525
Trauerode, oration, S.268/2
Trauervorspiel und Trauermarsch, S.206
Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
Tu es Petrus aus dem Orartorio Christus, S.664/1
Two Lieder, S.494-495
Unstern! Sinistre, disastro, S.208
Urbi et Orbi, bénédiction papale, S.184
Valhalla from 'Der Ring des Nibelungen', S.449, R.282
Valse d'Adele, S.456
Variation on a Waltz by Diabelli, S.147, R.26
Variations on a Bach motive: Weinen, Klagen, S.180
Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
Venezia, S.201, R.82
Vexilla regis prodeunt, for piano, S185/R70
Waltz from 'Faust', S.407, R.166
Wanderer Fantasy, S.366
Wedding March and Dance of the Fairies, S.410, R.219
Weihnachtsbaum, 4 hands, S.613
Weihnachtsbaum, S.186
Weimar Volkslied, S.672
Widmung, S.566
Widmung, S.566, R.249
Wiegenlied, S.198
Winterreise, S.561, R.246
Zum Haus des Herrn ziehen wir, S.505
Zwei Kirchenhymnen, S.669
4 Valses oubliées, S.215, R.37
Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
2 Russian Melodies, S.250
Agnus Dei de la Messe de Requiem, S.675c
Czardas obstine, S.225
12 Chorales, Zwölf alte deutsche gestliche, S.50
Am stillen Herd aus den Meistersingern, S.448, R.281
Ballad from 'The Flying Dutchman', S.441
10 Harmonies poétiques et religieuses, S.173, R.14
Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
Overture to 'Der Freischutz', S.575, R.289
Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
Tasso: Lamento e Trionfo, S.636
Symphony no. 7 in A major, S.464
Harold en Italie, S472/R138
Morceau de salon, étude de perfectionnement, S.142
Recueillement, S.204
Hymne à Sainte-Cécile, S.491, R.168
Klavierstück in F sharp major, S.193
R.W. Venezia, S.201
O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
Sarabande and Chaconne from 'Almira', S.181, R.25
Réminiscences de 'Lucia di Lammermoor', S.393, R.151
Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
Mephisto Waltz no. 1, S.514
Réminiscences de 'Norma', S.394, R.133
Prelude and Fugue on the motive B-A-C-H, S.260i
Années de pèlerinage, S.160-163, R.10a-e
6 Consolations, S.172, R.12
Elegie no. 2, S.197
Venezia e Napoli, S159/R10d
Liebestraum, 3 notturnos, S.541
Ballade no. 2 in B minor, S.171, R.16
Liebesträume
Piano Sonata in B minor, S.178
Festklänge, symphonic poem for piano, S.511d
3 Petrarch Sonnets I, for piano, S.158
Chamber
2 Waltzes, S.208a, for violin and piano
Am Grabe Richard Wagners, for string quartet, S.135, R.474
Benedictus and Offertorium, for violin and piano, S.381, R.465
Die drei Zigeuner, for violin and piano, S.383
Duo Sonata, for violin and piano, S.127
Elegie: Die Zelle in Nonnenwerth and piano, S.382
Elegie no. 1, for violin, piano and harmonium, S.130ter
Hosanna, for trombone and organ, S.677, R.409
La Lugubre gondola, for violin and piano, S.134bis
La notte, for violin and piano, S.377a
Romance oubliée, for viola and piano, S.132
Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
Le carnaval de Pesth, S.379, R.470
Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
Elegie no. 2, for violin and piano, S.131
Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
Stage
Autre
Wibi Soerjadi
Dante Sonata
Dance of the Dead
Piano Transcription of Franz Schubert's "Erlkönig", arranged by Géza Zichy
Transcription of "Isolde's Liebestod" for the Left Hand, arranged by Paul Wittgenstein
Cantique d'amour
After a Reading of Dante
The Legend of Saint Elizabeth
Our Father S 173/5
Faust Symphony in three character pictures for tenor, male chorus, and orchestra
Tristia
Five Songs after Poems by Heinrich Heine, Johann Wolfgang von Goethe, and Emil Kuh
Sonnet 104 (from Années de pèlerinage, Second Year, Italy, S. 161)
At the Edge of a Spring
The Bells of Strasbourg Cathedral S 6
The Bells of Geneva
Oh! When I Sleep
Concert Paraphrase on Themes from Giuseppe Verdi's Opera "Ernani"
Harmonies du soir - Transcendental Etude No. 11 in D-flat major
Hungarian Rhapsody No. 2 in D minor
Fountains of the Villa d'Este
Franz Liszt per stad