
XXe siècle
Samuel Barber
1910 – 1981
À propos de ce compositeur
“Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression.”
Source: Wikipedia · CC BY-SA 4.0
jeu
23
juil
4. Festspiel-Kammerkonzert: Rheingold-Quartett
Cuvilliés-Theater, München|20:00
String Quartet in B major, op. 11
mar
4
août
National Youth Orchestra of the United States – Young Euro Classic 2026
Konzerthaus Berlin, Berlin|19:00
The School for Scandal: Overture Op.5
mer
2
sept
Klänge aus der Neuen Welt
Elbphilharmonie, Hamburg|20:00
Violin Concerto, op. 14
sam
26
sept
Rundfunk-Sinfonieorchester Berlin, Marin Alsop
Konzerthaus Berlin, Berlin|20:00
Violin Concerto, op. 14
mer
9
déc
Lieder- / Arienabend
Konzerthaus Dortmund, Dortmund|19:30
Hermit Songs, op. 29
Orchestral
Cello Concerto, in A minor, op. 22
Capricorn Concerto, for flute, oboe, trumpet and strings, op. 21
Commando March, for concert band
Die Natali: Chorale Preludes for Christmas, op. 37
Essay no. 2 for Orchestra, op. 17
Piano Concerto, op. 38
Symphony no. 1, op. 9
Essay no. 3 for Orchestra, op. 47
Medea: Cave of the Heart, op. 23
Music for a Scene from Shelley, op. 7
Souvenirs: Suite from the Ballet, op. 28
Symphony no. 2, op. 19
Toccata Festiva, for organ and orchestra, op. 36
Medea's Meditation and Dance of Vengeance, op. 23a
Violin Concerto, op. 14
The School for Scandal: Overture Op.5
Essay no. 1 for Orchestra, op. 12
Vocal
2 Songs, op. 18
2 Songs for Chorus, op. 8
2 Songs for Chorus, op. 42
3 Songs, op. 2
3 Songs, op. 45
4 Songs, op. 13
A Slumber Song of the Madonna, for voice and organ
A Stopwatch and an Ordinance Map, for male chorus and 3 timpani, op. 15
Despite and Stil, op. 41
Song cycle
Dover Beach, for baritone and string quartet, op. 3
Hermit Songs, op. 29
God's Grandeur, for a cappella chorus
In the Dark Pinewood
Love's Caution
Love at the Door
Mélodies passagères, op. 27
Night Wanderers
Nuvoletta, op. 25
Reincarnations, for a cappella chorus, op. 16
Serenades
Stopping by Woods on a Snowy Evening
Strings in the Earth and Air
The Beggar's Song
The Lovers, for baritone, chorus and orchestra, op. 43
There's Nae Lark
Andromache's Farewell, for soprano and orchestra, op. 39
3 Songs, op. 10
Chorale for Ascension Day, for chorus, brass, timpani, and organ
Of That So Sweet Imprisonment
Knoxville: Summer of 1915, for high voice and orchestra, op. 24
Keyboard
Chamber
Samuel Barber per stad